The Top 5 Calligraphy Nibs You Need to Always Have On-hand
- Jun 9, 2020
- 1 min read
Here I will share my top 5 which will give you a nice variety for any potential projects you might be working on. This list can of course be mixed around to fit your needs and the types of work you will be doing. If you're only ever working on one type of surface then you can definitely survive with just one type of nib. This list is aimed at giving you an idea of the different situations you will use some nibs, as well as the difference appearances they create even if you're writing in the same style.
Check it out and let me know what your favorites are!
Nikko G
Has the stamina for large projects, won't wear out too quickly
The go-to nib for many calligraphers
Nice ratio of thick to thin strokes
Brause 361 (Blue Pumpkin)
I like to use the more square edges for writing in my Astrid style
Thicker downstrokes, wouldn't use it for small x-heights
Tachikawa G or Zebra G
Firmer than the Nikko G but otherwise comparable
Best for thinner downstrokes and tricky, pulpy paper like this seed paper
Gillott 303
Also a good option for beginners
Comparable to Nikko G but has the ability for more delicate upstrokes
Leonardt 30
I like to use this one for writing in copperplate because it helps square off the top edges of my letters
Less difference between up and downstrokes, but still adequate for small x-heights
The Honorable Mentions
Brause 66EF
I use mostly for agate slices or tiles because they work on the slick surface

Hunt 22
Gives letters a rounder appearance
Good for smaller x-heights






























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